Grotesqueries
Incidents on a Page: Dallas-Venice Dreamscapes, 1976-2020 (Gallery Exhibition)
Now on view — September 21 — December 11, 2020 — at Hawn Gallery/Hamon Arts Library, Dallas.
Continue reading “Incidents on a Page: Dallas-Venice Dreamscapes, 1976-2020 (Gallery Exhibition)”Free Museum of Dallas in Exile: “As We Were Saying…” A Compendium of Typography (2020)
Artists and writers living and working in North America and Europe were asked to reflect on the current situation — the pandemic, the continuing struggle for social justice, and the conduct of everyday life — and compose or select an appropriate text.
Continue reading “Free Museum of Dallas in Exile: “As We Were Saying…” A Compendium of Typography (2020)”Incidents on a Page: Dallas-Venice Dreamscapes, 1976-2020 (Publication)
Incidents on a Page: Dallas-Venice Dreamscapes: 1976-2020 is a new publication in the form of images, abstractions, and excerpts of texts by the artist and colleagues. The publication links two themes that define my standpoint as an artist and writer in dialogue with the institutions of art: the impact on artists of the global art network and the future of self-managed, sustainable support structures by and for artists and their public.
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Report from Dallas Pavilion 2019 (May 8, 9, & 10) Venice Biennale
Dallas Pavilion 2019 presents a set of alternative models for cultural development and commentary highlighting the diversity of urban communities over the narrower commercial interests of corporate developers and the tourist industry.
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Now Available in Digital Format: Typographic Samples, Pictures & Polemics (1986)
Typographic Samples, Pictures & Polemics (1986) was published in an edition of 500 by Nexus Press, Atlanta, GA. The book received the Mary Ellen LoPresti Award for Best Monograph of 1987 by ARLIS/NA and has been exhibited by the Museum of Modern Art, NY (Committed to Print, 1988) and is in the collections of the Whitney Museum of American Art (New York), TateModern (London), the Victoria and Albert Museum (London), the Marvin and Ruth Sackner Archive (Miami Beach, FLA), and the Getty Museum (Los Angeles), among other institutions, collections and libraries.
The print edition is sold out, but is now available in digital format.
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Now Available in Digital Format: As If The Pillars of Society (1987)
As If The Pillars of Society (1987) is a large-format (11” x 17”) spiral-bound collection of twenty-seven typographic compositions published by Clarté Press, New York in an edition of 1000 copies.
The print edition is sold out, but is now available in digital format.
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Michael Corris 