Continue reading “Learning to Speak the New Language of the Artworld (2021)” →

Abstract: The phenomenon of recurring international exhibitions is addressed with respect to an “aesthetic of experience” and the role played by international curators in the creation of contemporary art. Drawing on recent publications by Caroline A. Jones, Charles Green, and Anthony Gardner, it is argued that critical power of experientially immersive contemporary art projects commissioned for biennials, triennials, and documenta is highly overrated. Continue reading “Still Jet Lagged and Eye Sore (2019)” →